Walking from the Hydrant up to Seven Dials last night with the snow coming down. Didn't stick, ground too wet. Looking up through the spiralling moth-flutters at the railway bridge. A path up the embankment to the tracks - a short cut for railway workers? - and the path is lined by airport-bright lamps.
I watch a man walk down the steps.
There are two bridges here, a curiously indescribable gap between them. The bridges - both bridges - are huge. Dark and Satanically alluring mills of stone and lights and track-song, the earthquake-rhythm of trains making their journeys, unmappable from underneath.
Another man, from under one of the bridges, takes a picture with the loud click of a camera that sounds like an old SLR.
I look back to see what he has taken a photograph of, but all I see is a bleak February night; headlights and Thursdays and burgers in Wetherspoons and science fiction anthologies I didn't buy in the charity shop down London Road.